CF3 Coffee Chat - Adam / Goetz Residence

The October CF3 Coffee Chat took us to the other side of the Ohio River to Dayton Kentucky. Perched high on the hillside, the Adam / Goetz residence was built in 2000 by the current owners. Most of the Mid Century Modern homes CF3 tours typically have renovations, additions or other more modern time modifications, this was our first tour of a way newer ground up custom modern home. To the left the backyard has a small lap pool ripe for this photogenic moment.

Approaching the house, there's a lot of concrete, we know I'm game immediately. To get to the front door one must ascend either the concrete steps or ramp to the first level from the driveway similar to the Woodie Garber home in Glendale.

This is the main approach to the house. The plan is symmetrically balanced with the horizontal rooflines echoed with the cantilevering balconies. The house has a great view of the Ohio River Valley.

The house offers many photogenic moments which I took full advantage of prior to CF3 members arriving.

The structure of the house is a combination of concrete, steel and wood. Large I-Beams cantilever from the structure to carry the balconies. The cable railing is hardly noticable lending transparency to accent the cantilevered planes.

Inside, the house opens up immediately with full height glass and open floor plan. The house is undoubtedly influenced by Mary's House designed by the late David Niland with heavy symmetry & planar forms.

The main living space is central to the four corners of the house. Custom concrete countertops abound all the built-ins nooks around the house. A nice comparison shot of Mary's House can be found here.

The large galley kitchen heads the main living space off the entry with openings open the backsplash and cabinets. The white stays true down to the cabinetry.

More photogenic moments.

The formal front of the stark white house contrasts heavily against the natural hillside offering visual purity of the built object.

DIY Chimney Crown Repair

Uniquely, our house has a huge chimney, almost 12' long and 2'-6" wide. And due to 57 years of weathering, let's say it's seen better days. Our original intention was to have a new metal cover made for it as part of our roof contract. Since our roofer was unable to secure a metal band around chimney cap supplier, we ended up having to deal with the existing chimney crown. Every time we would get a heavy rain, we'd get a few drops in our fireplace, not good. I chiseled into the fossil like layers of said crown to the left only to find cmu coursing stepping up, thus the large mound of seeming concrete on our chimney.

With a little research, I found a great product called Crown Coat from a local supply website. One evening I did all the prep work to the existing cracks then taped it all off before applying the product. It's like painting thin concrete and dries pretty quick and evenly. Although a temporary fix, I'd say the money was well worth it for a 15 year warranty product. After a good rain I inspected the results to see the crown was shedding water as well as most of the new roof. The next step before winter is to do some tuckpointing repairs on the rest of the chimney. Hopefully I can find someone to fabricate a cap down the road, aka next year.

Before












After

Finally, A George Nelson Clock

And on the 28th day of September, Wendy bestowed onto me a birthday gift of pure delight, a George Nelson Turbine Clock. Being my favorite Nelson clocks, it made sense that it anchors our living area on the fireplace wall above the mantle and built-in bookcase. I'm really digging the shadow effect with the spotlight at night.

A shot of our living area with the new clock replacing the unframed Charley Harper prints. This spot seemed to balance the area and give the clock the proper wall space it deserves. Now we can also add some more Mid Century Modern accessories to the mantle. Nonetheless it's nice to add an iconic piece to our collection.

Fairwell Red, We're Going Gray

57 years has taken a toll on our roof, the job would not be complete without doing it right. After the discovery of the deteriorating condition of the original redwood fascia, we opted to proceed with removing and remediating as much of the original material as we could, sort of a search and discovery DIY project, I'm game. We had to phase the project into a couple of sections due to the potential weather conditions. I ended up having to remove and replace the top 2x4 band that levels the top edge of the roof. The existing 2x10 framing is sandwiched by the new 2x4 on top and a layer of handtroweled cement soffit below.

Near the chimney there was a bit of water damage where water HAD passed through over time. I had to fasten the soffit up to the new framing to level it to its original place and provide a little more blocking for the fascia to go back into. This is a good example of the mottled look the existing concrete at the soffit and top of the wall. The jury is still out on whether we should paint this or not.

After carefully removing the fascia boards, the wounded soldiers are stacked against the house. The original red color of the house is tempting to keep and preserve.

Many, many more wounded soldiers. I was able leave a small portion of the bottom 1x10 band on the house to sand and prime in place. At this point we had already reinstalled the front area. Along the way the final roof trim had to wait until this job was complete.

The process of remediating the redwood involved planing down each board about 3/32" to reveal the original and very beautiful grain. I then glued any splits and filled all the nail holes before getting ready to do a final sand and prime. On a few pieces I was able to flip the board over to the opposite surface. It's a simple, yet time consuming process.

Doing all this remediation in our small back yard proved a fun challenge to use every square inch of space to allow the wood fill to dry. Two rounds of patch, sand, patch, sand, prime and we were ready for reinstall.

Here's yours truly getting busy priming up on the ladder. The right side of the house is pictured with the newly fascia install. I did have to mix in a couple of new 20' sticks of 1x10 and 1x8 to replace some of the super rotted sticks that we couldn't salvage. Having given the roofers notice they could install the final coping, time was limited to finish the rest of the roof.

Fast forward to a few weeks later, to the left is our current status report. All the fascia is reinstalled as well as the roof coping. After fastening the fascia to the house, I patched all the screw heads with exterior wood putty and sanded from the roof. It's was quite a process from start to finish, yet well worth it. We've since touched up all the primer for some consistent finish. The next steps entail priming the metal coping and beginning the final dark gray paint.

Since priming, color has become the big debate around the house. The argument is partially around that the primer light gray looks kind of good, so I had to reconfirm our intentions with a little Photoshop action to the left. Intentions confirmed.

An upclose view of the final installation. Be sure to check out the before shot here for the transition, makes this photo almost poetic.