Friday, October 22, 2010

CF3 Coffee Chat - Adam / Goetz Residence

The October CF3 Coffee Chat took us to the other side of the Ohio River to Dayton Kentucky. Perched high on the hillside, the Adam / Goetz residence was built in 2000 by the current owners. Most of the Mid Century Modern homes CF3 tours typically have renovations, additions or other more modern time modifications, this was our first tour of a way newer ground up custom modern home. To the left the backyard has a small lap pool ripe for this photogenic moment.

Approaching the house, there's a lot of concrete, we know I'm game immediately. To get to the front door one must ascend either the concrete steps or ramp to the first level from the driveway similar to the Woodie Garber home in Glendale.



This is the main approach to the house. The plan is symmetrically balanced with the horizontal rooflines echoed with the cantilevering balconies. The house has a great view of the Ohio River Valley.



The house offers many photogenic moments which I took full advantage of prior to CF3 members arriving.





The structure of the house is a combination of concrete, steel and wood. Large I-Beams cantilever from the structure to carry the balconies. The cable railing is hardly noticable lending transparency to accent the cantilevered planes.






Inside, the house opens up immediately with full height glass and open floor plan. The house is undoubtedly influenced by Mary's House designed by the late David Niland with heavy symmetry & planar forms.








The main living space is central to the four corners of the house. Custom concrete countertops abound all the built-ins nooks around the house. A nice comparison shot of Mary's House can be found here.








The large galley kitchen heads the main living space off the entry with openings open the backsplash and cabinets. The white stays true down to the cabinetry.






More photogenic moments.











The formal front of the stark white house contrasts heavily against the natural hillside offering visual purity of the built object.









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